Friday, November 16, 2012

Day 5 of University Press Week blog tour

The University Press Week blog tour continues today at the following presses:
Up-week-logo
New York University Press author Constance Rosenblum is featured on the NYU Press blog.

Columbia University Press has a post from the editorial director.

University of North Carolina Press director John Sherer writes on the UNC Press blog.

University of Alabama Press treats us to a post from author Rick Bragg.

University of Virginia Press presents author Catherine Allgor

Jessica Kibler, the George P. Griffis Publishing Intern at Oregon State University Press, wraps up the tour.

Thanks for following the tour during University Press Week! Follow the discussion with the hashtag #UPWeek on Twitter.

Thursday, November 15, 2012

Day 4 of University Press Week blog tour

Up-week-logoThe University Press Week blog tour continues today at the following presses:

Over at the Princeton University Press blog, Labyrinth Books co-owner Dorothea Von Moltke discusses how her bookstore puts university press titles on the shelves.

Hear what former intern Nico Perrino has to say over at the Indiana University Press blog.

Fordham University Press treats us to a post by director Fredric Nachbaur.

At the Texas A&M University Press blog, author and Houston Chronicle columnist Loren Steffy discusses the lasting impact of TAMU Press on the field of nautical archaeology.

Georgetown University Press publicist Jackie Beilhart gives us some insight into university press and Less Commonly Taught Languages.

Look for some more great content during University Press Week! Follow the tour with this schedule or the hashtag #UPWeek on Twitter.


Wednesday, November 14, 2012

Day 3 of University Press Week blog tour

Up-week-logo
The University Press Week blog tour continues today at the following presses:


Critic and editor Scott Esposito kicks off today's tour at the University of Chicago Press blog with a post on Wayne Booth and his legacy.

Jason Weidermann, senior acquisitions editor at the University of Minnesota Press, writes about lecturing on publishing in Cape Town.

University of Illinois Press author Stephen Wade discusses the importance of university presses to democracy.

Tom Swanson, Bison Books Manager at the University of Nebraska Press, presents a personal piece about how a small-town guy ended up in the books business.

Syracuse University Press author Laurence M. Hauptman talks about his positive experience working with a university press.


Look for some more great content during University Press Week! Follow the tour with this schedule or the hashtag #UPWeek on Twitter.

Tuesday, November 13, 2012

Day 2 of University Press Week blog tour

Up-week-logoWe hope you enjoyed our post on why we need university presses yesterday. (Thanks, Ned Stuckey-French and Bruce Miller!)

The University Press Week blog tour continues today at the following presses:

MIT Press editorial director Gita Manaktala kicks off day two.

Rachel Lee, University of California Press library marketing manager, discusses why university presses matter to libraries.

Barbara Watson Andaya, author and University of Hawai'i Press editorial board member, talks about how university presses extend the global boundary of knowledge.

Wilfrid Laurier University Press features a post from author R. Bruce Elder.

University Press of Florida lets us hear from several interns: Alia Almeida, marketing and sales intern; Claire Eder, design and production intern; and Samantha Pryor, acquisitions intern.

Look for some more great content during University Press Week! Follow the tour with this schedule or the hashtag #UPWeek on Twitter.

Monday, November 12, 2012

Why Do We Need University Presses?



As part of the University Press Week blog tour, we have a post today from UMP author Ned Stuckey-French and sales representative Bruce Miller Ned and Bruce have collaborated often over the past several months, mobilizing the campaign to save the University of Missouri Press after the announcement of a phase out. Those plans have been superseded by a transition from the University of Missouri system to the University of Missouri's Columbia campus.

The tour continues tomorrow at the MIT Press blog with a post from editorial director Gita Manaktala. A complete blog tour schedule is also available here.

Why Do We Need University Presses?
by Ned Stuckey-French and Bruce Miller

Over the last five months we have learned a lot about what people don’t know about university presses. Sometimes, even the people who are charged with the job of promoting scholarship, disseminating research, and protecting academic freedom don’t understand the importance of an academic press.

We don’t mean to posture here. Our campaign to educate administrators, faculty, readers, and potential supporters taught us a lot about university presses as well. Just as teaching a book helps a teacher understand that book all that much more clearly, so does organizing a campaign help one clarify the issues in one’s own mind. Here are some reasons we need university presses.

1. University presses preserve and disseminate knowledge. They publish books and journals that are read by other scholars and by general readers. These books are held in libraries and archives so other scholars can access them and build on the understandings they contain. Many are taught in classrooms where they help preserve and shape our culture. Last June, ten of the editors of the 16-volume
Collected Works of Langston Hughes explained that their work on that the leading figure of the Harlem Renaissance (who was born in Joplin) “contributes to the larger, ongoing project among scholars of African American literature to recover texts by black American writers that have been historically marginalized from the American literary canon. This large-scale process of textual recovery and publication, begun on the heels of the Civil Rights Movement when students and scholars were advocating for representation of African American literature, history, and culture in American universities, is truly one of academe’s most important success stories. Without the work of scholars engaged in this project, African American literary studies in the academy simply would not exist.”

2. University presses are defenders of free speech, academic freedom, and spirited discussion. A vibrant, healthy democracy thrives on debate and the free exchange of ideas. Readers and scholars of all political persuasions have supported the University of Missouri Press because they know that its catalog is diverse and its books are an essential part of the public sphere. The Press has published books about everyone from Satchel Paige to Laura Ingalls Wilder, from Democratic President Harry Truman to Mary Louise Smith, the first and only woman chair of the Republican National Committee.

3. University presses serve a readership outside the university. University presses are committed first to scholarship, but they reach out to a wider audience as well. Certainly, the UMP does this, for example, with series that focus on the American Military Experience or Sports and American Culture, but they also publish local history, memoirs, fiction, and creative nonfiction. Blue Highways Revisited, Edgar I. Ailor III’s mix of photography and text that retraces William Least Heat-Moon’s famous drive across America, is an example of a book with a more general readership.

4. University presses have a special role in land-grant institutions. The UMP has a special responsibility to preserve and celebrate the people, history, and culture of the Show-Me State. The Missouri Biography Series, edited by William Foley, publishes biographies of important and famous Missourians–everyone from baseball great Stan Musial to the notorious political boss Tom Pendergast. Tens of thousands of Missouri children and adults have learned about their state’s places, folklore, food, land, and culture by reading the Missouri Heritage Readers, which are adopted by schools and available in local libraries across the state. And finally, the UMP is rightfully the center for the study of our country’s greatest writer—Mark Twain. Under the expert editorship of Tom Quirk, the Mark Twain and His Circle Series has become the undisputed leader in the field.

5. University presses play an essential role in developing and evaluating faculty. At university presses, professional acquisitions editors review manuscripts, decide whether they are worthy of consideration, find the best outside reviewers for those manuscripts, evaluate the responses of the outside reviewers, work with the author to revise the manuscript incorporating the reviewers’ suggestions, and present the reviewed manuscripts to the Press’s Editorial Board for final approval. This process is absolutely essential not only to make sure that the Press is publishing the best books possible, but also to help universities nationwide evaluate faculty.



If poets are the unacknowledged legislators of the world, university presses are the uncelebrated record-keepers of world history and culture. Just as the journalism business has always been extremely competitive, from the days of the first penny newspapers to the present, university presses vie with each other to find path-breaking works of scholarship and books that do a double duty, educating the lay reader while contributing to scholarly discourse.

University press books are not usually bestsellers. Book publishing is roughly a $27 billion a year industry, and university presses account for just one percent of that, but the influence of books published by university presses is deep and long lasting. These books do not have midnight launches at chain stores where tens of thousands of teenagers show up in costume, and they are rarely optioned by Hollywood, but they do stay on shelves for years, get taught in our schools, and change the way we think.

The celebration of University Press Week is especially apt in 2012, as we honor the role of university presses in our culture and offer thanksgiving with cheers for the resurgence of the University of Missouri Press.

Thursday, November 8, 2012

25 presses kick off University Press Week with a blog tour

This month, the University Press WeekAssociation of American University Presses will celebrate University Press Week from November 11-17. This week started back in the summer of 1978 when President Jimmy Carter proclaimed a University Press Week “in recognition of the impact, both here and abroad, of American university presses on culture and scholarship.”

In the spirit of collaboration that pervades the university press community, 25 presses will come together for a blog tour during University Press Week. This tour will highlight the value of university presses and the contributions they make to scholarship and our society. Bloggers include authors, book review editors, university press staff members, interns, booksellers, and university press advocates--including Bruce J. Miller and Ned Stuckey-French on our own blog Monday, November 12.

Harvard University Press kicks off the tour on Monday, November 12, and it continues coast-to-coast with stops in Canada and Hawaii before ending on Friday, November 16, at Oregon State University Press.

See a complete University Press Week blog tour schedule here.

In addition to the blog tour, the AAUP and other member presses are planning several features and events for University Press Week. For more information, visit www.universitypressweek.org.

Wednesday, June 6, 2012

Author Spotlight, Edgar I. Ailor III

Have you seen the lead book review in Reader's Digest? (Hint! Hint! It's Blue Highways Revisited!)

interview conducted by former sales intern, Sarah Mason

Edgar I. Ailor III began his photography career on a high school yearbook staff. With a camera always nearby, he honed his skills through several decades of practicing otolaryngology. On retirement in March of 2005 he started Ailor Fine Art Photography in Columbia, Missouri, with Edgar I. Ailor IV. 

What inspired you to consider making Blue Highways Revisited (as opposed to only sticking with your photography business)?

I started reading Heat-Moon's Blue Highways on a cold winter's night in January 1983--I was hooked. The thought of getting in a van or even a car and traveling the back roads of America for three months was just so incredible that I decided then that someday I'd make that trip. In 1983, I was just three-plus years into my otolaryngology practice, and I had a wife in medical school and two precious children, ages eight and five, so that thought had to be put on hold for a few decades. I've been an avid photographer since high school; and in the five years before retiring from medicine, I knew my second career would be photography. Susie, my wife and most enthusiastic supporter, encouraged me to retire soon enough to be able to hike up those mountains and along those streams--before I was too old to do it. So on the last day of February 2005, after 27 years of practice, I saw my last private practice patient and started Ailor Fine Art Photography the next day.

Sometime in that first year, the seed that Heat-Moon's book planted in my cerebrum began to sprout. (I don’t think it would show up on a CT or MRI scan, but who knows?) The thought, once again, of traveling the back roads of America was now a possibility. In the spring of 2006, at Addison's Cafe in downtown Columbia, I pitched the idea to Heat-Moon about my son (Edgar IV) and I retracing his Blue Highways journey and capturing it photographically. Several things are most memorable from that conversation. Heat-Moon had originally planned to photograph the route in 1978, but he said he had trouble switching back and forth from left brain to write and right brain to photography. He ended up photographing mainly the characters he interviewed--the wonderful portraitures we see in his book. He also told me that the most common question from his readers was, "When are you going to take the trip again to see how things have changed?" So fortunately, he liked the idea. Years later he would confide in me that he didn't expect anyone, including me and my son, to retrace the entire 13,889 miles and put it into book form.

To combine the pure joy of photography with the several decades-old dream of retracing Blue Highways seemed to me to be the ultimate. It could only have gotten better if Susie could have made the entire trip with me. The result of combining the joy of photography and a dream is Blue Highways Revisited.

Who are your personal favorite photographers?

My favorite photographer since childhood has been Ansel Adams who set the gold standard for American landscape photography. Adams at age 14 took his first photographs with a Kodak Box Brownie on a family vacation to Yosemite National Park in 1916. That visit to Yosemite triggered a career of capturing America’s wilderness that lasted almost six decades. Many of the National Parks and wilderness areas we enjoy today were preserved because of his and the Sierra Club’s influence. He introduced America to the vast beauty of our wilderness areas though his photography and helped convince multiple generations that it was worth preserving.

A current photographer, equally talented, is Tim Palmer. He is an outstanding and prolific wilderness photographer. My favorites of his 20 photography books are Trees and Forests of America, California Wild, and Rivers of America. His most recent book, just released, Field Guides to California Rivers, will make it even more difficult to keep driving over every bridge I cross in California. When you look at Tim’s books, you want to grab your cameras, pull on your hiking boots, and head for those distant wilderness trails through mountains and beside streams that only a few individuals will ever visit.

If you could read a book for the first time again, which one would it be?

Naturally, for me, it would be Blue Highways. Only one other nonfiction book, Undaunted Courage, captured my imagination like Blue Highways. Heat-Moon gives such powerful descriptions that you visualize and often feel the scene--experience the grit--and no one else spins a yarn as well as he since Mark Twain. That explains why a pair of photographers would spend years photographing the journey, cafes, and taverns; spend years tracking down the book characters; and then spend the time to write Revisited some thirty years later.  

Do you hope to do another book in the future? Any themes you’d like to explore?

Yes! I’ve got lots of ideas. The most exciting and perhaps daunting would be to photograph Heat-Moon’s water route from New York Harbor to the mouth of the Columbia River in Astoria, Oregon--River-Horse. Does anyone have a boat they want to loan me?