The MagicKingdom: Walt Disney and the American Way of Life by Steven Watts
Q. How have Walt
Disney’s contributions to American culture influenced you personally?
As
a child in the 1950s and early 1960s, I grew up when Walt Disney was a
pervasive influence in American life. I
watched his various television shows ranging from Disneyland and The Mickey
Mouse Club and Davy Crockett to Walt Disney’s Wonderful World of Color. I’m sure those images embedded themselves in
my mind, and later on when I began to think about Disney’s significant impact
on modern American values they rose to the surface.
Q. Did you
choose to write about Disney simply because of his huge influence on American
culture or was there more to the decision?
I
wrote about Disney not only because of his enormous impact on American life from
the 1930s to the 1960s, but because of the controversy surrounding him. Most serious evaluations of Disney by
scholars and writers had been rather negative—some extremely so—and I thought
they shortchanged his influence. So I
attempted to write a more dispassionate, balanced assessment that tried to
figure out why he was so popular, rather than simply denouncing him for being
childish, syrupy, and reactionary.
Q. We tend to
see you drawn towards a diverse subject range in your writings, from Walt Disney
to Hugh Hefner. What is it about these people that makes you want to write
about them?
In
my biographies on Disney, Henry Ford, Hugh Hefner, and most recently Dale
Carnegie, I have treated people who have shaped mainstream, popular values and
attitudes among Americans in the twentieth century. Their impact was enormous and all of them, in
my view, had received rather shallow examinations from previous writers. I attempted to rectify that. Moreover, they were all fascinating, complex
personalities and that attracted my by biographical interest as well. Finally, they were all Midwesterners, and as
a dyed-in-the-wool Midwesterner I have always suspected that figures from the
middle of the country have been shortchanged in favor of those from the coasts.
So the books reflect my pride of place.
Q. Since you
wrote this book several years ago, much has changed in the world of Disney. How
do you think Walt Disney would feel about the changes the company has seen?
I
think Walt would be largely pleased. The
company since his death, of course, has had a number of ups and downs over the
years, but mostly it has presented a great many creative movie productions and
developed the theme parks to reach an ever expanding audience. By and large, the company has balanced
genuine creativity with vast popular appeal, which was Walt’s formula from the
beginning.
Q. Did you find
any unexpected information about Disney (the man, the company, or both) during
your research?
The
unexpected information came with regard to his personality, which was something
I had known little about before, having mainly a series of images of the kindly
“Uncle Walt” from television and publicity.
I quickly discovered that he was a very complicated individual with an
array of facets to his personality: not only a kindly, avuncular figure but a
demanding taskmaster, a hard-driving creative figure, a cranky “wounded bear,”
and a larger-than-life studio head who could be equal parts domineering and inspirational
to the great many artists and staffers who worked for him.
Q. What would
you like readers to take away from this book?
I
would like readers to come away with, first, a greater appreciation of how and
why Walt Disney became such a popular figure in modern American life; how and
why he reflected mainstream American values so brilliantly; and how and why his
unique personality contributed to his great success as a major cultural figure.
Q. Are you
currently working on any projects?
I
have just finished a biography of Dale Carnegie, which will be appearing in early
fall 2013, and am just embarking on a cultural biography of John F. Kennedy.
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