Showing posts with label Leroy "Satchel" Paige. Show all posts
Showing posts with label Leroy "Satchel" Paige. Show all posts

Monday, August 12, 2013

Author Spotlight: Donald Spivey


“If You Were Only White”: The Life of Leroy“Satchel” Paige by Donald Spivey

“If You Were Only White” explores the legacy of one of the most exceptional athletes ever—an entertainer extraordinaire, a daring showman and crowd-pleaser, a wizard with a baseball whose artistry and antics on the mound brought fans out in the thousands to ballparks across the country. Leroy “Satchel” Paige was arguably one of the world’s greatest pitchers and a premier star of Negro Leagues Baseball. But in this biography Donald Spivey reveals Paige to have been much more than just a blazing fastball pitcher.

Q: Satchel Paige is a name we’re perhaps less familiar with than we should be, in spite of his monumental achievements both on and off the field. What compelled you to tell his story?

I knew of Satchel Paige as a sports fan and historian of sports and the African American experience.  I had been saying since the early 1980s how much we needed a biography of him written by a professional historian.  There had been a number of journalistic treatments of the pitching sensation, but nothing applying rigorous scholarship to bring to life the full story of the one and only Mr. Paige.  It was at one of the historical conferences that the venerable historian John Hope Franklin heard and noted my remarks.  Sometime later, when he was approached by the University of Missouri Press for the name of a scholar to do a biography of Satchel Paige, he gave them my name.  Be careful what you wish for, it may come true!  I accepted the offer and signed a contract with the press to produce the biography.  My thinking was that the project would not take that long, a maximum of three years.  How wrong I was.  Twelve years later, the biography was finally finished.  I am proud to have produced the first scholarly biography of Leroy “Satchel” Paige, and one that from the outset was dedicated to being readable and accessible to the public.

Q: People tend to think of Jackie Robinson as the person who integrated baseball. Why is Satchel Paige less known than Robinson?

Jackie Robinson, of course, received the glare of media attention when he became the first African American in the modern era to play Major League Baseball.  Satchel Paige is critical because he paved the way for Robinson and the integration of the Majors.  You would have been hard-pressed in the 1930s and 40s and well into the 1950s if not later to find anyone who claimed a love of baseball who was not familiar with the name of Satchel Paige, black or white.  In his era, he was the most beloved African American in baseball and the greatest star of all in the Negro Leagues.  All of us today should know his name and celebrate his arrival in the Majors when he signed with the Cleveland Indians in 1948 at the ripe young age of forty-two.

Q: It was Satchel’s ability not only as an athlete but also as an entertainer that bolstered his star and made him a household name. Was Satchel’s Vaudeville-inspired act degrading by definition, or do you feel it is more aptly described as subversive or tongue-in-cheek?

Satchel Paige saw no contradiction in playing a great game of baseball and entertaining the fans at the same time.  Indeed, he like the rest of the ballplayers in the Negro Leagues understood that sport was a business, an entertainment business that required breathing life into the game and how you played it. Paige did stunts, to be sure, entertaining fans with fancy ball handling, behind-the-back throws, shadow ball, daring pitching, and humor on and off the field.  He kept you glued to his performance with his antics.  The press adored him.  He was a master pitcher and master entertainer.  When you think of Bill Veeck, the most innovative of the Major League team owners, you have to associate his name with the individual he always named as his favorite player, Satchel Paige.  They did a lot of stunting together, and this brought fans out in record numbers.  We can look back at Paige through present-day eyes and question some of his antics, but fans back then, both white and black, loved every moment of it.

Q: “If You Were Only White” draws attention to the impact Satchel Paige’s career had on baseball as well as the Civil Rights movement. What were Paige’s most significant contributions as an athlete and as a proponent for social justice?

I could list for you specific things that Paige did in support of the cause of civil rights such as contributing to the defense fund of the Scottsboro Boys, supporting the call for anti-lynching legislation, and pushing Major League Baseball, once he got in, to bring other blacks into the fold.  But I think, without a doubt, that Paige’s greatest contribution to the struggle for civil rights came from his personal protest demonstrations.  He did it from the pitcher’s mound.  Every time he stepped out there and took on the best of white Major League players while barnstorming and then finally in the Majors, he was making a statement about the absurdity of the color line with his brilliant performances on the mound.  

Q: What impact do you think Satchel Paige’s persona has had on modern celebrity?

Paige was a role model.  He was one of the first bona-fide superstar black athletes outside of boxing.  Only Joe Louis rivaled him in terms of fan adulation.  He well understood every time he stepped out on the mound that he represented a race and that he was making a statement for fairness and equal opportunity.  He literally struck out Jim Crow.  This book is an effort to put him where he belongs: center stage in the African American struggle for equality and justice.

Q:  What kind of correctives to the legend of Satchel Paige do you offer the knowledgeable Paige fan?

Twelve years was spent on this project to separate reality from myth in the legendary career of Satchel Paige.  Who really did teach Satchel Paige to pitch?  That is answered definitively in this book, and it was not the person all previous studies claimed.  Another important question is what happened to Paige when he was in reform school, and why were those years so critical in his transformation?  I can answer all that for you right here, but would rather have you get your copy of the book for the answers to those questions and many more. 

Q: Do you have any upcoming books or projects readers can anticipate?

Readers can look forward to my forthcoming anthology, Black Pearls of Wisdom: Voicing the African-American Journey for Freedom, Empowerment, and the Future, which will be out in December.  Also, I’m working on a biography of Milton L. Olive, III, the first African American awarded the Medal of Honor in the Vietnam War.  

Monday, July 8, 2013

A HOME RUN FOR READERS

Allow me to pitch you a question, straight down the line, no knuckle, about as slow as the trajectory of a throw by the person covering third base in your local church's slow-pitch softball league: What is the absolute most American thing? This is not meant to be a curve ball. After careful consideration of what exactly might best represent our country, some might say, well, hamburgers and hot dogs. This is a fair answer. Hollywood? Sure, that's good, too. It's clearly open to debate. But one of the safest answers is the sport often referred to as "our nation's pastime": baseball. I don't follow baseball closely, but I'll admit that it pretty much tops the list of the stars-and-stripesiest things I can think of. Here is that list:

1) baseball
2) cowboy hats
3) cherry pie
4) monster trucks
5) reality television
6) owning several Great Danes
7) motorcycle gangs
8) patriotism
9) country music
10) media conglomerates

We at the University of Missouri Press have published many books about baseball. In fact, three of our fall paperbacks are about the sport, and they're all grand slams. So in the interest of keeping the Fourth of July spirit going, let's take a look at these baseball books and get our America on.


Branch Rickey, one of baseball’s foremost innovators and talent scouts, once said that in 1922 George Sisler was “the greatest player that ever lived.” Sisler played with Ty Cobb, Babe Ruth, and Rogers Hornsby, all of whom considered "Gorgeous George" their equal. Yet Sisler has faded from baseball's collective consciousness. Now in The Sizzler, this “legendary player without a legend” gets the treatment he deserves. Rick Huhn presents the story of one of baseball’s least appreciated players and studies why his status became so diminished. Huhn argues that the answer lies somewhere amid the tenor of Sisler’s times, his own character and demeanor, the kinds of individuals who are chosen as our sports heroes, and the complex definition of fame itself.









Bob Gibson remains one of the most unique, complex, and beloved players in Cardinals history. Gibson's Last Stand places his final years on the team within the context of American history and popular culture. During the late 1960s, exorbitant salaries and free agency were threatening to change baseball forever, and Gibson’s pitching success caused team owners to think fans wanted only base hits and home runs. The action of the game, both on and off the field, is interjected with interesting and detailed tidbits on players’ backgrounds that often tie them to famous players of the past, current stars, and well-known contemporary places.









“If You Were Only White” explores the legacy of one of the most exceptional athletes ever, Leroy “Satchel” Paige. Paige was arguably one of the world’s greatest pitchers and a premier star of Negro Leagues Baseball, but in this biography Donald Spivey reveals Paige to have been much more than just a blazing fastball pitcher. Through chronicling Paige’s life from his birth in Alabama to his death in Kansas City, Spivey reveals a man who not only battled the color line but was intertwined with many of the most important issues of the times in U.S. and African American history. With baseball as his platform, Paige pushed the boundaries of segregation and bridged the racial divide, and his performance refuted the lie that black baseball was inferior to white baseball. His was a contribution to civil rights of a different kind—his speeches and demonstrations expressed through his performance on the mound.